Be a Better Beta

I think most seasoned writers agree: our betas are one of our most valuable assets. We count on them to polish our early drafts into something shiny and fit to be seen by the rest of the human population. But for newbies considering beta-ing for the first time, the idea of critiquing someone else’s work can be kind of scary. Are there any rules, you might ask? Well, in my opinion, yes. Yes there are. Read on below for Debra’s Rules for Being a Better Beta.

1. Ask the writer what he or she expects BEFORE you start. Because, OMG, there’s a huge difference between general feedback and line editing. I think there’s some conventional wisdom that says you should read every novel you crit at least twice, once for big picture stuff, and the second time for line edits. I’m convinced whoever said that had 500 hours in a day, all of them allocated to reading. The truth is, if you’re like me, you have beta reads lined up til kingdom come, and hai there, a WIP that needs to be written, revisions to do, etc, etc, etc. Plus there are those little hassles of daily life—work, kids, hubbies, eating—that tend to get in the way. So unless you just really have boatloads of time, I’d suggest doing one or the other, general or line, and working it out with the writer up front. Some writers don’t like line edits in the first place—as in, you touch that prose, you lose a finger.

2. Which brings us to rule number two: if the writer doesn’t want line edits, do not, I repeat, DO NOT, touch even one syllable of that sparkly prose. Wear socks on your hands while reading if you must, or duct tape them, cover your laptop keys with thumb tacks dipped in rattlesnake venom, whatever you need to do. JUST. DON’T. TWEAK.

(okay, so this is a bit extreme, but it's also one of the most creative uses of duct tape I've ever seen. Hmmm, wonder if it's legal....????)

3. Do a trial run. No, seriously. Ask to beta just the first 3 chapters to start. That way you can both a) make sure your commenting style actually helps the writer and b) have a way out if what you thought was contemporary turns into a Martians-taking-over-the-world-by-inhabiting-the-intestines-of-Golden-Retrievers plotline.

4. Make a sandwich. No, not the eating kind, silly—though, you can do that too, because beta work does take a well-fed brain—the comment kind. Personally, I’ve always found the criticism easier to take when it’s surrounded on both sides by the good stuff. Sort of like an Oreo. Only with brussel sprouts instead of cream filling.

5. Use your relationship skillz to approach the negative. You know how therapists always suggest avoiding “you” and “your” statements when addressing problems with your spouse/mother-in-law/crazy neighbor who dresses her Yorkie up as RPatz, complete with glitter and tousled fur?

Well, the same applies to critiquing. Avoid sentences starting with “you” or “your” if at all possible. For example, do NOT say:

“Your prose makes me want to gouge out my eyeballs with a dull spork.”

OR:

“You really should delete this entire manuscript and start over. On a new topic. And use a ghostwriter.”

Just like in relationships, “I” statements are often more palatable. As in:

* “In my opinion, this characterization could be stronger."

OR

“I feel like the pacing dropped off a bit here”

Also, note the use of “could” above? Could is your beta-ready friend. Could implies that it’s something the writer might think about—not that they MUST do as you say. I don’t know about you, but I’m pretty darn stubborn. I am much more likely to pull a mule if someone tells me I MUST do something to my novel, rather than suggesting I think about it.

*Okay, so I cheated a little, because really, “In my opinion, your prose makes me want to gouge my eyeballs out with a dull spork” still sounds pretty crappy. But you get my point (bad pun intended).

6. Always, always be both respectful AND honest.* In my opinion (see what I did there?) these traits are both key in a good beta. If you’re not respectful, you run the risk of having the writer discard your input, no matter how spot-on it might be. And if you’re not honest? Well, you’re not doing your job. The writer counts on YOU to tell her what’s working and what’s not. If you’re not able to do that, then you shouldn’t be beta-ing. Period.

*If you ARE honest, be prepared for the person you’re critting to hate you for at least ten full minutes, regardless of how kindly you’ve worded your comments. This is normal. If you must crit in person, ignore any tears, ranting and hand waving, or other disturbing behavior that occurs during this time frame.

7. Finally, have fun, and enjoy the experience. Beta-ing can be a great way to improve your own craft by analyzing the highs and lows in your peers’ work--and make you feel good for helping someone else out. Really, it's a win-win situation.